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aryabhatt.com The Science of Pranayama

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Introduction
CHAPTER ONE
Prana and Pranayama
What is Prana ?
Seat of Prana
Sub-Pranas and their functions
The colour of Pranas
The length of  Air Currents
The centering of the Prana
The Lungs
Ida and Pingala
Sushumna
Kundalini
Shat-Chakras
Nadis
Purification of Nadis
Shat - Karmas
Dhauti
Basti
Neti
Trataka(Gazing)
Nauli
Kapalbhati
CHAPTER TWO
The Meditation Room
The five Essentials
The Place
The Time
The Adhikari
Dietetic Discipline
Yogic Diet
Fruit Diet
Mitahara
Purity in Food
Charu
Milk Diet
Articles Allowed
Articles Forbidden
A Kutir for Sadhana
Matra
Padmasana(Lotus Pose)
Siddhasana(The Perfect Pose)
Svastikasana(Prosperous Pose)
Samasana (Equal Pose)
Three Bandhas
Arambha Avastha
Ghata Avastha
Parichya Avastha
Nishpatti Avastha
CHAPTER THREE
What is Pranayama
Pranayama(According to Gita)
Pranayama(According to Sri Sankracharya)
Pranayama(According to yogi Bhusunda)
Control of Breath
Varieties of Pranayama
Three types of Pranayama
The Vedantic Kumbhaka
Pranayama for Nadi-Suddhi
Mantra During Pranayama
Exercise No. 1
Exercise No. 2
Exercise No. 3
Exercise No. 4
Deep Breathing Exercise
Kapalabhati
The External Kumbhaka(Bahya)
Easy Comfortable Pranayama
Pranayama for Awakening Kundalini
Pranayama During Meditation
Pranayama while walking
Pranayama in Savasana
Rhythmical Breathing
Surya Bheda
Ujjayi
Sitkari
Sitali
Bhastrika
Bhramari
Murchha
Plavini
Kevala Kumbhaka
Pranic Healing
Distant Healing
Relaxation
Relaxation of Mind
Importance and Benefits of Pranayama
Special Instructions


Siddhasana (The Perfect Pose)

Next to Padmasana comes Siddhasana in importance. Some eulogise this Asana as even superior to Padmasana for the purpose of Dhyana (contemplation). If you get mastery over this Asana you will acquire many Siddhis. Further, it was being practiced by many Siddhas (perfected Yogins) of yore. Hence the name Siddhasana.
Even fatty persons with big thighs can practise this Asana daily. In fact this is better for some persons than Padmasana. Young Brahmacharins, who attempt to get established in celibacy, should practise this Asana. This is not suitable for ladies.

Siddhaasana

Technique

Place the left heel at the anus or Guda, the terminal opening of the alimentary canal or digestive tube. Keep the right heel on the root of the generative organ, the feet or legs should be so nicely arranged that the ankle-joints should touch each other. Hands can be placed as in Padmasana.

Svastikasana (Prosperous Pose)

Svastikasana

Svastika is sitting at ease with the body erect. Spread the legs forward. Fold the left leg and place the foot near the right thigh muscles. Similarly, bend the right leg and push the foot in the space between the thigh and calf muscles. Now you will find the feet between the thighs and calves of the legs. This is very comfortable for meditation. Keep the hands as instructed in Padmasana.

Samasana (Equal Pose)

Place the left heel at the beginning of the right thigh and the right heel at the beginning of the left thigh. Sit at ease. Do not bend either on the left or right. This is called as Samasana.

Three Bandhas

There are four Bhedas (piercing of divisions) viz., Surya, Ujjayi, Sitali and Basti. Through these four ways, when Kumbhaka is near or about to be performed, the sinless Yogi should practise the three Bandhas. The first is called Mula Bandha. The second is called Uddiyana, and the third is Jalandhara. Their nature will be thus described. Apana which has a downward tendency is forced up by contracting and drawing the anus upwards. This process is called Mula Bandha. When Apana is raised up and reaches the sphere of Agni (fire), then the flame of Agni grows long, being blown about by Vayu. The Agni and Apana come to or commingle with Prana in a heated state. Through this Agni, which is very fiery arises in the body the flaming of fire which rouses the sleeping Kundalini. Then the Kundalini makes a hissing noise, becomes erect like a serpent beaten with a stick and enters into the hole of Brahmanadi (Sushumna). Therefore Yogins should daily practise Mula Bandha. Uddiyana should be performed at the end of Kumbhaka and at the beginning of inhalation. Because Prana ‘Uddiyate’—goes up the Sushumna in this Bandha, it is called Uddiyana by the Yogins. Being seated in the Vajra posture and holding firmly the two toes by the two hands near the two ankles, he should gradually upbear the Tana (thread or Nadi, the Sarasvati Nadi) which is on the western side of Udara (the upper part of the abdomen, above the navel), then to neck. When Prana reaches Sandhi (junction) of navel, slowly it removes the diseases of the navel. Therefore this should be practised perfectly. Uddiyana can be done in standing posture also. When you practise in standing posture, place your hands on the knees or a little above the knees. Keep the legs a little apart.
The Bandha called Jalandhara should be practised at the end of Puraka. Jalandhara is of the form of contraction of the neck and is an impediment to the passage of Vayu upwards. When the neck is contracted by bending the head downwards, so that the chin may touch the chest, Prana goes through Brahmanadi. Assuming the seat, as mentioned before, one should stir up Sarasvati and control Prana. On the first day Kumbhaka should be done four times, on the second day ten times and then five times separately. On the third day, twenty times will do and afterwards Kumbhaka should be performed with the Bandhas and with an increase of two times per day.

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Jalanasana

Udayyanasana

Jalandhara Bandha

Uddyana Bandha

Uddayanasana

Uddyana Bandha

Arambha Avastha

Pranava (!) should be chanted with three Matras (prolonged intonations). This is for the destruction of the former sins. The Mantra, Pranava, destroys all obstacles and all sins. By practicing this he attains the ‘Arambha Avastha’ (the beginning or first stage). The body of the Yogi begins to perspire. When it perspires he should rub it well with the hands. The trembling of the body also occurs. He sometimes jumps like a frog.

Ghata Avastha

Then follows the Ghata Avastha, the second state, which is acquired by constantly practicing suppression of breath. When a perfect union takes place between Prana and Apana, Manas and Buddhi or Jivatman and Paramatman without opposition, it is called Ghata Avastha. He may now practise only for about one-fourth of the period prescribed for the practice before. By day and by evening let him practise only for a Yama (3 hours). Let him practise the Kevala Kumbhaka once a day. Drawing away completely the organs from the objects of senses during cessation of breath is called Pratyahara. Whatever he sees with his eyes, let him consider as Atman. Whatever he hears with his ears, let him consider as Atman. Whatever he smells with his nose, let him consider as Atman. Whatever he tastes with his tongue, let him consider as Atman. Whatever the Yogi touches with his skin, let him consider as Atman. Then various wonderful powers are obtained by the Yogi, such as clairvoyance, clairaudience, ability to transport himself to great distances within a moment, great power of speech, ability to take up any form he likes, ability to become invisible and the wonder of transmuting iron into gold.
That Yogi who is carefully practicing Yoga, attains the power to levitate. Then, should the wise Yogi think that these powers are great obstacles in the attainment of Yoga, he should never take delight or recourse to them. The Yogins should not exercise these powers before any person whomsoever. He should live in the world as an ordinary man in order to keep his powers concealed. His disciples would, without doubt, request him to show them (his powers) for the gratification of their desire. One, who is actively engaged in one’s (world-imposed) duties, forgets to practise Yoga. So he should practise day and night nothing but Yoga without forgetting the words of his Guru. Thus he who is constantly engaged in Yogic practices, passes the Ghata state. Nothing is gained by useless company of worldly-minded people. Therefore, one should with great effort shun evil company and practise Yoga.

Parichaya Avastha

Then by such constant practice, the Parichaya Avastha (the third state) is gained. Vayu or breath, through arduous practice pierces the Kundalini, along with Agni through thought and enters the Sushumna, uninterrupted. When one’s Chitta enters the Sushumna along with Prana, it reaches the high seat in the head, along with Prana. When the Yogi by the practice of Yoga acquires power of action (Kriya Sakti) and pierces through the Six Chakras and reaches the secure condition of Parichaya, the Yogi then verily sees the threefold effects of Karma. Then let the Yogi destroy the multitude of Karmas by the Pranava (!). Let him accomplish ‘Kaya-Vyuha’, a mystical process of arranging the various Skandhas of the body and taking various bodies, in order to exhaust all his previous Karmas without the necessity of being reborn. At that time let the great Yogi practise the five Dharanas (Described in the ‘Appendix’) or forms of concentration by which, command over the five elements is gained and fear of injuries by any one of them is removed.

Nishpatti Avastha

This is the fourth stage of Pranayama. Through graduated practice the Yogi reaches the Nishpatti Avastha, the state of consummation. The Yogi, having destroyed all the seeds of Karma drinks the nectar of immortality. He feels neither hunger nor thirst, nor sleep nor swoon. He becomes absolutely independent. He can move anywhere in the world. He is never reborn. He is free from all diseases, decay and old age. He enjoys the bliss of Samadhi. He is no longer in need of any Yogic practice. When the skilful tranquil Yogi can drink the Prana Vayu by placing his tongue at the root of the palate, when he knows the laws of action of Prana and Apana, then he becomes entitled to liberation.
A Yogic student will automatically experience all these Avasthas one by one as he advances in his systematic, regular practices. An impatient student cannot experience any of these Avasthas through occasional practices. Care should be taken in the observances of Mitahara and Brahmacharya.

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